Everything about Jon Vickers totally explained
» See also: John Vickers, a British economist.
Jon S. Vickers, CC, D.Mus. (born
October 29,
1926) is a
Canadian tenor.
Born in
Prince Albert, Saskatchewan, he was the sixth in a family of eight children. In
1950, he was awarded a scholarship to study
opera at
Toronto’s
Royal Conservatory of Music. In 1957 Vickers joined London’s
Royal Opera House, Covent Garden company. In 1960 he joined the
Metropolitan Opera. He became world famous for singing a variety of roles, including both German and Italian. He was a wonderful "heldentenor" with a voice that matched the demands of the
Wagnerian operas, although his personal philosophy gave him reservations about Richard Wagner's characters at times. Another of his famous roles, in Verdi's
Aida, paired him on records with the famous American soprano,
Leontyne Price.
In 1968 he was made a Companion of the
Order of Canada.
Career
He studied at the Royal Conservatory in Toronto under George Lambert and made his professional debut (1956) in Stratford, Ontario as Don Jose in
Carmen. He made his Covent Garden debut in 1957 as Riccardo in
Verdi's
Ballo in maschera and continued to appear in that house until 1969, putting his personal stamp on the roles of Aeneas in
Les Troyens, Radames in
Aida,
Don Carlos, Handel's
Samson, Florestan in
Fidelio and
Peter Grimes.
He made his
Bayreuth debut in 1958 as Siegmund in
Die Walküre and sang
Parsifal there in 1964. His debut role at the
Metropolitan Opera was Canio in
Pagliacci (1960). Vickers continued to sing at the Met for 20 subsequent seasons in more than 225 performances of 16 roles, including Don Jose, Herman in
Tchaikovsky's
Queen of Spades, the Samsons of both
Handel and
Saint-Saëns, Don Alvaro in
La Forza del Destino, and
Tristan. Vickers also had an international career that took him to Milan's
La Scala as well as the major opera houses of
Chicago,
San Francisco and
Salzburg.
Vickers's reputation rests on his exceptional grasp of characters in the grip of conflicting emotions. He was known to sacrifice vocal beauty for the sake of dramatic effect, but his musicianship and scrupulous preparation were never in doubt. His deeply committed portrayals of such tormented figures as
Peter Grimes,
Canio,
Otello, and
Samson were the keystones of his artistic legacy. His recordings of these roles are justly prized, but can only give a hint of the powerful impact of his highly charged performances.
His recordings, accepting their inferiority to 'real life', nonetheless carry a peculiar intensity which is often lacking in the studio opera recordings of lesser actors. The dramatic intensity he was able to invest in his first recording of Otello conducted by
Tullio Serafin alongside baritone
Tito Gobbi and soprano
Leonie Rysanek is all the more striking considering he hadn't yet performed the role on stage. That Jon Vickers was able to create such an impression in the studio surely attests to an innate dramatic awareness which is all too rare in singers of his calibre.
In 1953 he married Henrietta Outerbridge. They have five children.
Further Information
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